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kyouyagodherogod

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picardwails

Play it, Brian. Play it raw.

brianpeppersmeanguitar

ninja guitar fight

ninjaguitarfight

Picard (Actually Gurney from Dune) gives a music lesson.

picardguitarsolo

Famous musician B.B. King passed away today. He we no longer be available to name guitars he plays "Lucille"

anotherdeadblackman

no description given.

brianpeppersguitarlesson

Robocop Rockin' it out with a guitar!

rockinrobocop

no description given.

freeloadingfatty

I know that this level may look intimidating, but thanks to some good electric guitar synths mixed in with some bongo drums, this has to be everyone's (to some people) fave DKC3 track. Grab your climbing gear, and prepare for a moshing climb!

bigcliffs

ZOMG AWESOME!!! I made the GIF and LOOPED the song. It took forever. The guitar is The ESP Laiho Signature model.

Raptor

I'll update it better when I get the chance. I made this in flash from original image.

conanplaysguitarhero

Some weird (but cool) rock guitar beat to Ducktales (Was bored when posted it)

DTWRT

no description given.

Darkwing

wat

wecarryon

It's an epic Guitar Battle between Baron Lasers and Tom Morello.

baronlasersvstommorello

If Eddie van Halen was a a golf fan...... Original song by Dave Loggins - extra piano, bass, and psycho guitar riffs done by me.

eddieataugusta

Poor family, father plays guitar for handouts!

scufflebuffin

My first stab at a F*GGOT PSA site. The next time you play Guitar Hero, imagine me calling you those names.

yourgamecontrollerlookssooogay

no description given.

coolestguitar

no description given.

eggguitar

Green is the sixth studio album by the American alternative rock band R.E.M. and their first release for Warner Bros. Records. Released in November 1988, the album continued to explore political issues both in its lyrics and packaging. To promote Green, the band embarked on an 11-month world tour and released four singles: "Orange Crush", "Stand", "Pop Song 89", and "Get Up". Background and recording With the release of Document in 1987, R.E.M. fulfilled its contract with I.R.S. Records. Frustrated that its records did not see satisfactory overseas distribution, in early 1988 the band told I.R.S. head Jay Boberg that it was leaving the label. Guitarist Peter Buck also explained that his group felt it was being pressured to sell well by I.R.S., yet felt I.R.S.'s distributor MCA Records did not consider the ensemble a priority. R.E.M.'s management then approached any record companies that expressed interest in the band. Though other labels offered more money, R.E.M. ultimately signed a deal with Warner Bros. Records—reportedly between $6 million and $12 million—due to the company's assurance of total creative freedom. In light of its move to a major label, the band became defensive in interviews about accusations from some fans who claimed it was selling out. R.E.M. began the album process by recording demos at Robbie Collins' Underground Sound Recording Studio in Athens, Georgia. Bill Berry, Peter Buck and Mike Mills recorded the basic tracks in two configurations: (1) guitar, bass, and drums and (2) percussion, mandolin, and accordion. The demos were mixed by Robbie Collins, Buren Fowler (guitar tech for Pete Buck and later member of Drivin' & Cryin'), and David LaBruyere (later bassist for Vic Varney, Michelle Malone, and John Mayer) and presented to R.E.M. management. Michael Stipe used these recordings for his vocal arrangements. The band recorded the studio album at Ardent Studios in Memphis, Tennessee, with Scott Litt producing. Music In a 1988 interview, Peter Buck described Green as an album that didn't feature any typical R.E.M. songs. Describing the band's standard output as "Minor key, mid-tempo, enigmatic, semi-folk-rock-balladish things", the guitarist noted that for Green, "We wrote major key rock songs and switched instruments." Singer Michael Stipe had reportedly told his bandmates to "not write any more R.E.M.-type songs". Bassist Mike Mills argued that Green was an experimental record, resulting in an album that was "haphazard, a little scattershot". Band biographer David Buckley wrote, "[S]onically, Green is all over the place, the result being a fascinatingly eclectic album rather than a unified artistic move forward". Green was reputedly envisioned as an album where one side would feature electric songs and the other, acoustic material, with the plan failing to come to fruition due to a lack of acoustic songs deemed fit for release. David Buckley highlighted three main musical strands on Green: "ironic pop songs" like "Stand" and "Pop Song 89", harder-hitting tracks such as "Orange Crush" and "Turn You Inside-Out", and "pastoral acoustic numbers" that had Peter Buck playing mandolin, with "The Eleventh Untitled Song" singled out as an anomaly. Buck had become fond of playing acoustic music with his friends in that period, and thus purchased an "oddly-shaped Italian mandolin-cum-lyre" in 1987; he would play the instrument on three of the tracks on Green. From this period onward, R.E.M. would swap instruments among members, and on Green the group also incorporated accordion, cello, and lap steel guitar.

datarem

These guys can't resist the guitar solo either! (Note: I didn't sample Aerodynamic, I actually sampled Sister Sledge and recreated it from there). Also Kraftwerk lol

ohyestheydo

george bush plays the guitar for a laaa-deee

ilikecoffeeandiliketea

Gilmour - Marooned

Davidgilmourowns

gsechsual

orly?

turtlesinbtape

no description given.

docstolemyguitar

I decided that since I made Popcorn Shred almost a year ago that I'd try to top it a bit. It's Episode 1 Mission 1 of DOOM, of course. Dig it or die. And check out my new damn band, (myspace.com/musketsandmayhem) and deal with my shameless self-plug

NEDMTHISBITCH