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It's Belinda the Keytarnado! I know how much everyone loves keytars so I've put this on ytmnd for all of you to laugh at. Behold one of the worlds last and fastest keytar...ists

keytarnado

This goes out to the ones that never made it big. No, I will not use Elton John for the audio.

jetpacktribute

Oh no!

koolaidmanrescue

here's who get killed in order: kirstie alley, isaac hayes, jenna elfman, john travolta, and tom cruise

epicscientology

i hope this isn't for real.

syntehsizerheroalreadysoundsummmmmunique

Rock out to poop? Why, yes. Yes, you can. This is a song I recorded in the late 1990s and found on a CD I burned in 2000. Yes, it's 100% original. The song was originally recorded using some seriously wonky equipment. The vocals were belted through a Radio Shack cheap 7-dollar microphone and the multitrack on a Tascam 424 for those that remember that thing. The drums are fake and from a keyboard. All the guitars are real. The only thing different is that I added in a guitar at the end (which is why it sounds so different from the other) because that section was originally intended for a solo I never recorded. Instead I just added in a rhythm track because it seemed to fit better. Lyrics: ((PFFT)) DIARRHEA DIARRHEA YEAH ((PFFT)) PEOPLE THINK IT'S GROSS, BUT I THINK IT'S PRETTY GOOD ON TOAST DIARRHEA DRIVING IN MY CHEVY, AND I FEEL SOMETHING HEAVY DIAHHREA WHEN I'M WALKING DOWN THE HALL, AND I FEEL SOMETHING FALL DIARRHEA SLIDING INTO FIRST, AND I FEEL SOMETHING BURST DIARRHEA SLIDING INTO THIRD, AND I FEEL A WET TURD DIARRHEA YEAH DIARRHEA WHEN SOMETHING IS THE MATTER, AND I FEEL SOMETHING SPLATTER DIARRHEA WHEN THERE'S SOMETHING IN MY FEET, AND IT CAME FROM MY SEAT DIARRHEA WHEN I'M SLIDING INTO HOME, AND I FEEL SOMETHING'S BLOWN DIARRHEA WHEN I'M BREAKING ON THE BOWL, AND A WAVE COMES FROM THE HOLE DIARRHEA YEAH OOP! OH MAN, I GOTTA WIPE MY ASS. HEH HEH HEH HEH. ((PFFT))

diarrheasong

I lied.

Panettiere

" Ok let me get this straight: By "Interstellar" you mean "intersite" and by "Space-Guitar" you mean "troll" and by "Love Solo" you are obviously making re

aintersiteforthetrollknownaskorf41iloveyou

You don't create almost 1700 YTMND sites with a job and girlfriend! Darthwang is our hero!

unemployedYTMND

I decided that since I made Popcorn Shred almost a year ago that I'd try to top it a bit. It's Episode 1 Mission 1 of DOOM, of course. Dig it or die. And check out my new damn band, (myspace.com/musketsandmayhem) and deal with my shameless self-plug

NEDMTHISBITCH

no description given.

docstolemyguitar

orly?

turtlesinbtape

This YTMND is dedicated to all the men who fought in Normandy, France. They stepped up and took on the challenge of restabilizing the world and restoring peace in a time of intense violence. Take time to salute them, please. Even if but for a moment.

Normandysalute

gsechsual

Future boy, hero and rival.

sonicballz

Taking from a old *ss commercial.

blackfalcon

george bush plays the guitar for a laaa-deee

ilikecoffeeandiliketea

Gilmour - Marooned

Davidgilmourowns

I wish my town had a Super Hero like him

wootwootlazytown

These guys can't resist the guitar solo either! (Note: I didn't sample Aerodynamic, I actually sampled Sister Sledge and recreated it from there). Also Kraftwerk lol

ohyestheydo

no description given.

eggguitar

Green is the sixth studio album by the American alternative rock band R.E.M. and their first release for Warner Bros. Records. Released in November 1988, the album continued to explore political issues both in its lyrics and packaging. To promote Green, the band embarked on an 11-month world tour and released four singles: "Orange Crush", "Stand", "Pop Song 89", and "Get Up". Background and recording With the release of Document in 1987, R.E.M. fulfilled its contract with I.R.S. Records. Frustrated that its records did not see satisfactory overseas distribution, in early 1988 the band told I.R.S. head Jay Boberg that it was leaving the label. Guitarist Peter Buck also explained that his group felt it was being pressured to sell well by I.R.S., yet felt I.R.S.'s distributor MCA Records did not consider the ensemble a priority. R.E.M.'s management then approached any record companies that expressed interest in the band. Though other labels offered more money, R.E.M. ultimately signed a deal with Warner Bros. Records—reportedly between $6 million and $12 million—due to the company's assurance of total creative freedom. In light of its move to a major label, the band became defensive in interviews about accusations from some fans who claimed it was selling out. R.E.M. began the album process by recording demos at Robbie Collins' Underground Sound Recording Studio in Athens, Georgia. Bill Berry, Peter Buck and Mike Mills recorded the basic tracks in two configurations: (1) guitar, bass, and drums and (2) percussion, mandolin, and accordion. The demos were mixed by Robbie Collins, Buren Fowler (guitar tech for Pete Buck and later member of Drivin' & Cryin'), and David LaBruyere (later bassist for Vic Varney, Michelle Malone, and John Mayer) and presented to R.E.M. management. Michael Stipe used these recordings for his vocal arrangements. The band recorded the studio album at Ardent Studios in Memphis, Tennessee, with Scott Litt producing. Music In a 1988 interview, Peter Buck described Green as an album that didn't feature any typical R.E.M. songs. Describing the band's standard output as "Minor key, mid-tempo, enigmatic, semi-folk-rock-balladish things", the guitarist noted that for Green, "We wrote major key rock songs and switched instruments." Singer Michael Stipe had reportedly told his bandmates to "not write any more R.E.M.-type songs". Bassist Mike Mills argued that Green was an experimental record, resulting in an album that was "haphazard, a little scattershot". Band biographer David Buckley wrote, "[S]onically, Green is all over the place, the result being a fascinatingly eclectic album rather than a unified artistic move forward". Green was reputedly envisioned as an album where one side would feature electric songs and the other, acoustic material, with the plan failing to come to fruition due to a lack of acoustic songs deemed fit for release. David Buckley highlighted three main musical strands on Green: "ironic pop songs" like "Stand" and "Pop Song 89", harder-hitting tracks such as "Orange Crush" and "Turn You Inside-Out", and "pastoral acoustic numbers" that had Peter Buck playing mandolin, with "The Eleventh Untitled Song" singled out as an anomaly. Buck had become fond of playing acoustic music with his friends in that period, and thus purchased an "oddly-shaped Italian mandolin-cum-lyre" in 1987; he would play the instrument on three of the tracks on Green. From this period onward, R.E.M. would swap instruments among members, and on Green the group also incorporated accordion, cello, and lap steel guitar.

datarem

no description given.

coolestguitar

My first stab at a F*GGOT PSA site. The next time you play Guitar Hero, imagine me calling you those names.

yourgamecontrollerlookssooogay

I wrote this track a couple years ago. Carlin is one of my heroes. Aside from He-Man and Lion-O.

carlin

Poor family, father plays guitar for handouts!

scufflebuffin

Our hero drifts between reality and fantasy! Oh no! Will he find his way out?

yestavo

Someone do it and post it on the Moon Man forums

threeddotgameheroes

a

qwerty129083471209348

This guinea pig is my f*cking hero...

furryhero