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The sound byte form Aqua Teen Hunger Force, where Carl gets hair, and does a guitar solo in front of a whore.

Iwannarockyobofdy

Saddam starts playin an air guitar during his trial

saddamairguitar

no description given.

darkwingducknes

Found this on youtube. Fred Durst of Limp Bizkit is the worst guitarist ive ever seen. I have a grandma who could literally out-play him. He attempts a solo about halfway through the clip.

shreddurst

I was bored so I decided to tab NSMB (Punchout)...lol

nsmbguitartab

Guitar Hero is Hard Core!

Hardcoreguitar

no description given.

freddieguitar

I wish I was this cool

guitaritup

awesome guitar solo at end actually performed by AegisReflector lololo

polandkhanime3voet5

no description given.

dwbike

A true hero of the people, and guitar heroism

guitarheroofsovietunion

If you know your facts, this was a botched promo, Honky Tonk Man grabbed the wrong guitar, and smashed it over Jake's head, the guitar wasn't the one that would break with ease, so Jake was BADLY injured, which lead to his drug addiction, hence it being a

jakeguitars

no description given.

daftpunkair

who knows who cares

darkvingdvck

no description given.

gamelifejapanese

The warcraft grunts have another thing coming, as they duke it out to the greatest guitar solo ever.

ZugZug

Miley Cyrus is playing Guitar Hero Encore: Rock The 80's.

mileyrocksthe80s

george bush plays the guitar for a laaa-deee

ilikecoffeeandiliketea

The name says it all...

glistenal

Green is the sixth studio album by the American alternative rock band R.E.M. and their first release for Warner Bros. Records. Released in November 1988, the album continued to explore political issues both in its lyrics and packaging. To promote Green, the band embarked on an 11-month world tour and released four singles: "Orange Crush", "Stand", "Pop Song 89", and "Get Up". Background and recording With the release of Document in 1987, R.E.M. fulfilled its contract with I.R.S. Records. Frustrated that its records did not see satisfactory overseas distribution, in early 1988 the band told I.R.S. head Jay Boberg that it was leaving the label. Guitarist Peter Buck also explained that his group felt it was being pressured to sell well by I.R.S., yet felt I.R.S.'s distributor MCA Records did not consider the ensemble a priority. R.E.M.'s management then approached any record companies that expressed interest in the band. Though other labels offered more money, R.E.M. ultimately signed a deal with Warner Bros. Records—reportedly between $6 million and $12 million—due to the company's assurance of total creative freedom. In light of its move to a major label, the band became defensive in interviews about accusations from some fans who claimed it was selling out. R.E.M. began the album process by recording demos at Robbie Collins' Underground Sound Recording Studio in Athens, Georgia. Bill Berry, Peter Buck and Mike Mills recorded the basic tracks in two configurations: (1) guitar, bass, and drums and (2) percussion, mandolin, and accordion. The demos were mixed by Robbie Collins, Buren Fowler (guitar tech for Pete Buck and later member of Drivin' & Cryin'), and David LaBruyere (later bassist for Vic Varney, Michelle Malone, and John Mayer) and presented to R.E.M. management. Michael Stipe used these recordings for his vocal arrangements. The band recorded the studio album at Ardent Studios in Memphis, Tennessee, with Scott Litt producing. Music In a 1988 interview, Peter Buck described Green as an album that didn't feature any typical R.E.M. songs. Describing the band's standard output as "Minor key, mid-tempo, enigmatic, semi-folk-rock-balladish things", the guitarist noted that for Green, "We wrote major key rock songs and switched instruments." Singer Michael Stipe had reportedly told his bandmates to "not write any more R.E.M.-type songs". Bassist Mike Mills argued that Green was an experimental record, resulting in an album that was "haphazard, a little scattershot". Band biographer David Buckley wrote, "[S]onically, Green is all over the place, the result being a fascinatingly eclectic album rather than a unified artistic move forward". Green was reputedly envisioned as an album where one side would feature electric songs and the other, acoustic material, with the plan failing to come to fruition due to a lack of acoustic songs deemed fit for release. David Buckley highlighted three main musical strands on Green: "ironic pop songs" like "Stand" and "Pop Song 89", harder-hitting tracks such as "Orange Crush" and "Turn You Inside-Out", and "pastoral acoustic numbers" that had Peter Buck playing mandolin, with "The Eleventh Untitled Song" singled out as an anomaly. Buck had become fond of playing acoustic music with his friends in that period, and thus purchased an "oddly-shaped Italian mandolin-cum-lyre" in 1987; he would play the instrument on three of the tracks on Green. From this period onward, R.E.M. would swap instruments among members, and on Green the group also incorporated accordion, cello, and lap steel guitar.

datarem

A short clip of the Darkwing Duck opening sequence. Portrayed by myself to be something... erotic.

darkwingdirty

no description given.

neshero

Mind-blowingly annoying.

kurtage9

no description given.

Darkwing

are you ready to ROCK?!

picardguitarhero

First time interpreting a song.

interpretationdduck

the Sand People rule at Guitar Hero

sandhero

Pantera walk featuring dimebag darrell's guitar move

pantera

Cat sings and plays guitar!

emopussy

no description given.

songuitar